The constitution of Shelley's poetry the argument of language in Prometheus unbound /
I tiakina i:
| Kaituhi matua: | |
|---|---|
| Kaituhi rangatōpū: | |
| Hōputu: | Tāhiko īPukapuka |
| Reo: | Ingarihi |
| I whakaputaina: |
London ; New York :
Anthem Press,
2009.
|
| Ngā marau: | |
| Urunga tuihono: | An electronic book accessible through the World Wide Web; click to view |
| Ngā Tūtohu: |
Tāpirihia he Tūtohu
Kāore He Tūtohu, Me noho koe te mea tuatahi ki te tūtohu i tēnei pūkete!
|
Rārangi ihirangi:
- The everlasting universe of things as Shelley found it in 1816: "Mont Blanc" and "Hymn to intellectual beauty"
- Where Shelley wrote and what he wrote for: the signature of "Ode to the west wind"
- Knowing what we do (with words): act I of Prometheus unbound
- Recounting reverses, recovering the initiative: act II of Prometheus unbound
- The congregated powers of language: act III of Prometheus unbound
- Resounding celebrations and constraining commissions: act IV of Prometheus unbound.