Locating the Anglo-Indian self in Ruskin Bond a postcolonial review /
I tiakina i:
| Kaituhi matua: | |
|---|---|
| Kaituhi rangatōpū: | |
| Hōputu: | Tāhiko īPukapuka |
| Reo: | Ingarihi |
| I whakaputaina: |
London :
Anthem Press,
2011.
|
| Ngā marau: | |
| Urunga tuihono: | An electronic book accessible through the World Wide Web; click to view |
| Ngā Tūtohu: |
Tāpirihia he Tūtohu
Kāore He Tūtohu, Me noho koe te mea tuatahi ki te tūtohu i tēnei pūkete!
|
Rārangi ihirangi:
- Introduction : reading 'self' in a semi-autobiographical author
- Sense of exile : an Anglo-Indian context
- Text versus context : space and time in The room on the roof and Vagrants in the valley
- Quest for an authentic literary grain : two versions of 'The eyes are not here'
- Conscious/unconscious dialectic : stories of the mid-career
- Invoking history to resist drives : tension revisited In a flight of pigeons
- Self in abject space : 'The playing fields of Shimla'
- Conclusion : self in liminal space.