Intonations a social history of music and nation in Luanda, Angola, from 1945 to recent times /
I tiakina i:
| Kaituhi matua: | |
|---|---|
| Kaituhi rangatōpū: | |
| Hōputu: | Tāhiko īPukapuka |
| Reo: | Ingarihi |
| I whakaputaina: |
Athens, Ohio :
Ohio University Press,
c2008.
|
| Rangatū: | New African histories series.
|
| Ngā marau: | |
| Urunga tuihono: | An electronic book accessible through the World Wide Web; click to view |
| Ngā Tūtohu: |
Tāpirihia he Tūtohu
Kāore He Tūtohu, Me noho koe te mea tuatahi ki te tūtohu i tēnei pūkete!
|
Rārangi ihirangi:
- Musseques and urban culture
- In the days of bota fogo: culture and the early nationalist struggle, 1947-61
- Dueling bands and good girls: gender and music in Luanda's musseques,1961-75
- Ngongo jami (my suffering): lyrics, daily life, and social space, 1956-74
- Radios, turntables, and vinyl: technology and the imagined community, 1961-75
- The hiatus: music, dissent, and nation building after independence, 1975-90s.