The novel and theatrical imagination in early modern China
I tiakina i:
| Kaituhi matua: | |
|---|---|
| Kaituhi rangatōpū: | |
| Hōputu: | Tāhiko īPukapuka |
| Reo: | Ingarihi |
| I whakaputaina: |
Boston :
Brill,
2011.
|
| Rangatū: | Sinica Leidensia ;
v. 101. |
| Ngā marau: | |
| Urunga tuihono: | An electronic book accessible through the World Wide Web; click to view |
| Ngā Tūtohu: |
Tāpirihia he Tūtohu
Kāore He Tūtohu, Me noho koe te mea tuatahi ki te tūtohu i tēnei pūkete!
|
Rārangi ihirangi:
- Introduction
- Part I. Xi in early modern context. Theatrum mundi: the theatrical, the playful, the ephemeral; the structuring of Xi in illustrations and a prologue theatrical
- Part II. Playful theatricals : Shuihu zhuan and Xiyou ji. Staging, spectacles, and acts of recognition; Staging, mimicry, and acts of appropriation; Acting, quren, and the authenticity of incongruity; Acting, jiaren, and the artifice of congruity; Viewing : perceptive and fleshly eyes
- Part III. Didactic theater versus playful theatricals : tropes of theater in Zhishang chuntai and Wusheng xi.