Screening Morocco contemporary film in a changing society /
I tiakina i:
| Kaituhi matua: | |
|---|---|
| Kaituhi rangatōpū: | |
| Hōputu: | Tāhiko īPukapuka |
| Reo: | Ingarihi |
| I whakaputaina: |
Athens [Ohio] :
Ohio University Press,
2011.
|
| Rangatū: | Research in international studies. Africa series ;
no. 89. |
| Ngā marau: | |
| Urunga tuihono: | An electronic book accessible through the World Wide Web; click to view |
| Ngā Tūtohu: |
Tāpirihia he Tūtohu
Kāore He Tūtohu, Me noho koe te mea tuatahi ki te tūtohu i tēnei pūkete!
|
Rārangi ihirangi:
- Introduction: Moroccan national cinema: the making of an industry
- Theories and polemics: Moroccan films as social-realist texts
- Issues, contexts, and "culture wars": Marocains residants é l'etranger (MREs) versus filmmakers at home
- Bad boys, drugs, and rock 'n' roll: the urban stories of Morocco
- Prison, torture, and testimony: retelling the memories of the lead years
- Women's voices: documenting Morocco through feminine lenses
- Conclusion: the future of Moroccan cinema?.