Soul searching Black-themed cinema from the March on Washington to the Rise of Blaxploitation /
I tiakina i:
| Kaituhi matua: | |
|---|---|
| Kaituhi rangatōpū: | |
| Hōputu: | Tāhiko īPukapuka |
| Reo: | Ingarihi |
| I whakaputaina: |
Middletown, Conn. :
Wesleyan University Press,
2011.
|
| Rangatū: | Wesleyan film.
|
| Ngā marau: | |
| Urunga tuihono: | An electronic book accessible through the World Wide Web; click to view |
| Ngā Tūtohu: |
Tāpirihia he Tūtohu
Kāore He Tūtohu, Me noho koe te mea tuatahi ki te tūtohu i tēnei pūkete!
|
Rārangi ihirangi:
- Introduction
- March on Hollywood: gone are the days and the integration picture
- Ghetto travelogue: the cool world, Harlem, and the new American cinema
- Concessions of Nat Turner: the instant demise of the Black prestige picture
- Battle of Cleveland: uptight and the urban Black revolution film
- Black Hollywood meets new Hollywood: the landlord and the racial impasse film of 1970
- Conclusion: 1960s African American cinema and the birth of blaxploitation.