Women and revenge in Shakespeare gender, genre, and ethics /
I tiakina i:
| Kaituhi matua: | |
|---|---|
| Kaituhi rangatōpū: | |
| Hōputu: | Tāhiko īPukapuka |
| Reo: | Ingarihi |
| I whakaputaina: |
Selinsgrove, Pa. :
Susquehanna University Press,
2011.
|
| Ngā marau: | |
| Urunga tuihono: | An electronic book accessible through the World Wide Web; click to view |
| Ngā Tūtohu: |
Tāpirihia he Tūtohu
Kāore He Tūtohu, Me noho koe te mea tuatahi ki te tūtohu i tēnei pūkete!
|
Rārangi ihirangi:
- Women and revenge: some literary, iconographic, and intellectual foundations
- Valorous tongues, lamenting voices: the expressive ethics of female inciters in Shakespeare's plays
- Reporting the women's causes aright: wounded names and revenge narratives in Hamlet, Titus Andronicus, and Much ado about nothing
- Hecuba's legacy: wounded maternity and vengeance in the First tetralogy and Titus Andronicus
- "Revenging home": Cordelia and the virtue of vengeance
- Twelfth night, or what Maria wills
- Feminine vindication and the social drama of revenge in The merry wives of Windsor
- The quality of revenge: debt, reciprocity, and Portia's "vantage" in The merchant of Venice
- Women's gall, women's grace: female friendship, moral rebuke, and the vindictive passions.