Ostrannenie on "strangeness" and the moving image : the history, reception, and relevance of a concept /
Summary: Defamiliarisation or ostrannenie, the artistic technique of forcing the audience to see common things in an unfamiliar or strange way, in order to enhance perception of the familiar, ihas become one of the central concept of modern artistic practice, ranging over movements including Dada, p...
Furkejuvvon:
| Searvvušdahkki: | |
|---|---|
| Eará dahkkit: | |
| Materiálatiipa: | Elektrovnnalaš E-girji |
| Giella: | eaŋgalasgiella |
| Almmustuhtton: |
Amsterdam :
Amsterdam University Press,
c2010.
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| Ráidu: | Key debates ;
1. |
| Fáttát: | |
| Liŋkkat: | An electronic book accessible through the World Wide Web; click to view |
| Fáddágilkorat: |
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Sisdoallologahallan:
- pt. 1. Theory formation : Ostranenie, the avant-garde and the cinema of attractions
- pt. 2. Mutations and appropriations : alienation theories and terminologies
- pt. 3. Cognitive and evolutionary-cognitive approaches to Ostranenie : perception, cognitive gaps and cognitive schemes
- pt. 4. Discussions on Ostranenie, différance, and the uncanny.