Nordic exposures Scandinavian identities in classical Hollywood cinema /
Furkejuvvon:
| Váldodahkki: | |
|---|---|
| Searvvušdahkki: | |
| Materiálatiipa: | Elektrovnnalaš E-girji |
| Giella: | eaŋgalasgiella |
| Almmustuhtton: |
Seattle :
University of Washington Press,
2010.
|
| Ráidu: | New directions in Scandinavian studies.
|
| Fáttát: | |
| Liŋkkat: | An electronic book accessible through the World Wide Web; click to view |
| Fáddágilkorat: |
Lasit fáddágilkoriid
Eai fáddágilkorat, Lasit vuosttaš fáddágilkora!
|
Sisdoallologahallan:
- Racializing Vinland: the Nordic conquest of whiteness in technicolor's The viking
- Scandinavian/American whiteface: ethnic whiteness and assimilation in Victor Sjöström's He who gets slapped
- Hotel Imperial: the border crossings of Mauritz Stiller
- Garbo talks! Scandinavians, the talkie revolution, and the crisis of foreign voice
- Charlie Chan is Swedish: the Asian racial masquerades and Nordic otherness of Warner Oland
- Two-faced women: Hollywood's and Third Reich cinema's war for the Nordic female star.