Nordic exposures Scandinavian identities in classical Hollywood cinema /
I tiakina i:
| Kaituhi matua: | |
|---|---|
| Kaituhi rangatōpū: | |
| Hōputu: | Tāhiko īPukapuka |
| Reo: | Ingarihi |
| I whakaputaina: |
Seattle :
University of Washington Press,
2010.
|
| Rangatū: | New directions in Scandinavian studies.
|
| Ngā marau: | |
| Urunga tuihono: | An electronic book accessible through the World Wide Web; click to view |
| Ngā Tūtohu: |
Tāpirihia he Tūtohu
Kāore He Tūtohu, Me noho koe te mea tuatahi ki te tūtohu i tēnei pūkete!
|
Rārangi ihirangi:
- Racializing Vinland: the Nordic conquest of whiteness in technicolor's The viking
- Scandinavian/American whiteface: ethnic whiteness and assimilation in Victor Sjöström's He who gets slapped
- Hotel Imperial: the border crossings of Mauritz Stiller
- Garbo talks! Scandinavians, the talkie revolution, and the crisis of foreign voice
- Charlie Chan is Swedish: the Asian racial masquerades and Nordic otherness of Warner Oland
- Two-faced women: Hollywood's and Third Reich cinema's war for the Nordic female star.