Nordic exposures Scandinavian identities in classical Hollywood cinema /
Sábháilte in:
| Príomhchruthaitheoir: | |
|---|---|
| Údar corparáideach: | |
| Formáid: | Leictreonach Ríomhleabhar |
| Teanga: | Béarla |
| Foilsithe / Cruthaithe: |
Seattle :
University of Washington Press,
2010.
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| Sraith: | New directions in Scandinavian studies.
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| Ábhair: | |
| Rochtain ar líne: | An electronic book accessible through the World Wide Web; click to view |
| Clibeanna: |
Cuir clib leis
Níl clibeanna ann, Bí ar an gcéad duine le clib a chur leis an taifead seo!
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Clár na nÁbhar:
- Racializing Vinland: the Nordic conquest of whiteness in technicolor's The viking
- Scandinavian/American whiteface: ethnic whiteness and assimilation in Victor Sjöström's He who gets slapped
- Hotel Imperial: the border crossings of Mauritz Stiller
- Garbo talks! Scandinavians, the talkie revolution, and the crisis of foreign voice
- Charlie Chan is Swedish: the Asian racial masquerades and Nordic otherness of Warner Oland
- Two-faced women: Hollywood's and Third Reich cinema's war for the Nordic female star.