Writing blackness John Edgar Wideman's art and experimentation /
I tiakina i:
| Kaituhi matua: | |
|---|---|
| Kaituhi rangatōpū: | |
| Hōputu: | Tāhiko īPukapuka |
| Reo: | Ingarihi |
| I whakaputaina: |
Baton Rouge :
Louisiana State University Press,
2010.
|
| Ngā marau: | |
| Urunga tuihono: | An electronic book accessible through the World Wide Web; click to view |
| Ngā Tūtohu: |
Tāpirihia he Tūtohu
Kāore He Tūtohu, Me noho koe te mea tuatahi ki te tūtohu i tēnei pūkete!
|
Rārangi ihirangi:
- Brothers and keepers, Fatheralong, Hoop roots, and The island: Martinique: the fictionalized auto/biographies
- A glance away, Hurry home, and the Lynchers: modernist experimentation and the early novels
- Hiding place, Damballah, and Sent for you yesterday: new dimensions of postmodern experimentation in the Homewood trilogy
- Reuben and Philadelphia fire: progressive experimentation after the Homewood trilogy
- The cattle killing, Two cities, and Fanon: extending experimental writing, making it clear, and extending it further.