Celluloid comrades representations of male homosexuality in contemporary Chinese cinemas /
I tiakina i:
| Kaituhi matua: | |
|---|---|
| Kaituhi rangatōpū: | |
| Hōputu: | Tāhiko īPukapuka |
| Reo: | Ingarihi |
| I whakaputaina: |
Honolulu :
University of Hawai'i Press,
c2006.
|
| Ngā marau: | |
| Urunga tuihono: | An electronic book accessible through the World Wide Web; click to view |
| Ngā Tūtohu: |
Tāpirihia he Tūtohu
Kāore He Tūtohu, Me noho koe te mea tuatahi ki te tūtohu i tēnei pūkete!
|
Rārangi ihirangi:
- Screening homosexuality
- The burden of representation : Ang Lee's The wedding banquet
- The uses of femininity : Chen Kaige's Farewell my concubine and Zhang Yuan's East palace, west palace
- Travelling sexualities : Wong Kar-wai's Happy together
- Confessing desire : the poetics of Tsai Ming-liang's queer cinema
- Fragments of darkness : Stanley Kwan as gay director.