Shakespeare and Chekhov in production and reception theatrical events and their audiences /
I tiakina i:
| Kaituhi matua: | |
|---|---|
| Kaituhi rangatōpū: | |
| Hōputu: | Tāhiko īPukapuka |
| Reo: | Ingarihi |
| I whakaputaina: |
Iowa City :
University of Iowa Press,
c2005.
|
| Rangatū: | Studies in theatre history and culture.
|
| Ngā marau: | |
| Urunga tuihono: | An electronic book accessible through the World Wide Web; click to view |
| Ngā Tūtohu: |
Tāpirihia he Tūtohu
Kāore He Tūtohu, Me noho koe te mea tuatahi ki te tūtohu i tēnei pūkete!
|
Rārangi ihirangi:
- Defining theatrical event and audience research
- Spectatorship social audiences, and risk: Shakespeare and the Q theatre
- Imagining audiences: the Eyre-Griffiths productions of The cherry orchard
- The "reading Chekhov" project: social audiences and reading formations
- The theatrical event: inner and outer audience frames
- Contextual theatricality: the theatrical event as occasion and place
- Cultural contexts: theatrical event, liminality and risk in The free state and The cherry orchard
- Playing culture: pleasurable play in The free state and The cherry orchard
- Theatrical playing: Much Ado, mediatization and "liveness".