On location in Cuba street filmaking [sic] during times of transition /
I tiakina i:
| Kaituhi matua: | |
|---|---|
| Kaituhi rangatōpū: | |
| Hōputu: | Tāhiko īPukapuka |
| Reo: | Ingarihi |
| I whakaputaina: |
Chapel Hill :
University of North Carolina Press,
c2009.
|
| Rangatū: | Envisioning Cuba.
|
| Ngā marau: | |
| Urunga tuihono: | An electronic book accessible through the World Wide Web; click to view |
| Ngā Tūtohu: |
Tāpirihia he Tūtohu
Kāore He Tūtohu, Me noho koe te mea tuatahi ki te tūtohu i tēnei pūkete!
|
Rārangi ihirangi:
- Introduction: screening an island nation in transition
- Documenting tumultuous times: new culture organizations proffer alternatives
- Establishing community media in the mountains: Televisión Serrana strengthens highland identity
- Balancing tradition and innovation: the National Animation Studio negotiates the global marketplace
- Opening new roads: Juan Carlos Cremata Malberti redefines revolutionary filmmaking
- Promoting popular genres: Pavel Giroud revises conceptions of Cuban cinema
- Filming in the margins: Esteban Insausti explores life and art amidst chaos
- Making space for new interventions: a montage from the national exhibit of new filmmakers
- Epilogue: reflections on Cuba, filmmaking, and the times ahead.