The American counterfeit authenticity and identity in American literature and culture /
I tiakina i:
| Kaituhi matua: | |
|---|---|
| Kaituhi rangatōpū: | |
| Hōputu: | Tāhiko īPukapuka |
| Reo: | Ingarihi |
| I whakaputaina: |
Tuscaloosa :
University of Alabama Press,
c2006.
|
| Rangatū: | Studies in American literary realism and naturalism.
|
| Ngā marau: | |
| Urunga tuihono: | An electronic book accessible through the World Wide Web; click to view |
| Ngā Tūtohu: |
Tāpirihia he Tūtohu
Kāore He Tūtohu, Me noho koe te mea tuatahi ki te tūtohu i tēnei pūkete!
|
Rārangi ihirangi:
- The real, the self, and commodity culture, 1880-1930
- Whitman's natural history : specimen days and the culture of authenticity
- "I couldn't see no profit in it" : discourses of commoditization and authenticity in Adventures of Huckleberry Finn
- Connoisseurs and counterfeits : Edith Wharton's The house of mirth
- Dressing to kill : desire, race, and authenticity in Nella Larsen's Passing
- A world of wonders : collecting and the authentic self in The great Gatsby.