The critical nexus tone-system, mode, and notation in early medieval music /
I tiakina i:
| Kaituhi matua: | |
|---|---|
| Kaituhi rangatōpū: | |
| Hōputu: | Tāhiko īPukapuka |
| Reo: | Ingarihi |
| I whakaputaina: |
Oxford ; New York :
Oxford University Press,
2009.
|
| Rangatū: | AMS studies in music.
|
| Ngā marau: | |
| Urunga tuihono: | An electronic book accessible through the World Wide Web; click to view |
| Ngā Tūtohu: |
Tāpirihia he Tūtohu
Kāore He Tūtohu, Me noho koe te mea tuatahi ki te tūtohu i tēnei pūkete!
|
Rārangi ihirangi:
- The heritage of antiquity
- The eighth and ninth centuries. The reception of ancient texts in the Carolingian era ; The heritage of the church
- The synthesis of ancient Greek theory and medieval practice. Hucbald of St. Amand and Regino of Prüm ; Alia musica ; Pseudo-Bernelinus, Bern of Reichenau, pseudo-Odo, and Guido d'Arezzo.