American painting of the nineteenth century realism, idealism, and the American experience /
I tiakina i:
| Kaituhi matua: | |
|---|---|
| Kaituhi rangatōpū: | |
| Hōputu: | Tāhiko īPukapuka |
| Reo: | Ingarihi |
| I whakaputaina: |
Oxford ; New York :
Oxford University Press,
2007.
|
| Putanga: | 3rd ed., [New ed.] / |
| Ngā marau: | |
| Urunga tuihono: | An electronic book accessible through the World Wide Web; click to view |
| Ngā Tūtohu: |
Tāpirihia he Tūtohu
Kāore He Tūtohu, Me noho koe te mea tuatahi ki te tūtohu i tēnei pūkete!
|
Rārangi ihirangi:
- Prolegomena to the nineteenth century : Copley and the American tradition
- Washington Allston : an American romantic tradition
- Thomas Cole : the dilemma of the real and the ideal
- Asher B. Durand : Hudson River School solutions
- Luminism : an alternative tradition
- Fitz H. Lane : a paradigm of luminism
- Martin Johnson Heade : haystacks and light
- William Sidney Mount : monumental genre
- George Caleb Bingham : Missouri classicism
- Winslow Homer : concept and percept
- Thomas Eakins : science and sight
- Albert Pinkham Ryder : even with a thought
- William Harnett : every object rightly seen
- The painterly mode in America
- Epilogue : the twentieth century.