Balkan fascination creating an alternative music culture in America /
I tiakina i:
| Kaituhi matua: | |
|---|---|
| Kaituhi rangatōpū: | |
| Hōputu: | Tāhiko īPukapuka |
| Reo: | Ingarihi |
| I whakaputaina: |
Oxford ; New York :
Oxford University Press,
2007.
|
| Rangatū: | American musicspheres.
|
| Ngā marau: | |
| Urunga tuihono: | An electronic book accessible through the World Wide Web; click to view |
| Ngā Tūtohu: |
Tāpirihia he Tūtohu
Kāore He Tūtohu, Me noho koe te mea tuatahi ki te tūtohu i tēnei pūkete!
|
Rārangi ihirangi:
- Introduction
- Part I: Ethnography of the Balkan Music and Dance Scene ; The "Balkanites" ; Why Balkan?
- Part II: Folk dancing and turn-of-the-century America ; Folk dancing and the settlement movement ; Folk dancing and the physical education and recreation movements
- Part III: International folk dancing from the 1930s and 1950s ; Dance and be merry ; Emergence of the new folk dance leaders: Vytautas Beliajus, Song Chang, Michael Herman ; Folk dance as a national trend
- Part IV: 1950s and beyond ; International folk dance and the "Balkan craze" ; The rise of the Balkan scene
- conclusion.
- Key to selections on DVD: p. 297-298; Key to selections on CD: p. 299.