Cinemachismo masculinities and sexuality in Mexican film /
I tiakina i:
| Kaituhi matua: | |
|---|---|
| Kaituhi rangatōpū: | |
| Hōputu: | Tāhiko īPukapuka |
| Reo: | Ingarihi |
| I whakaputaina: |
Austin :
University of Texas Press,
2006.
|
| Putanga: | 1st ed. |
| Ngā marau: | |
| Urunga tuihono: | An electronic book accessible through the World Wide Web; click to view |
| Ngā Tūtohu: |
Tāpirihia he Tūtohu
Kāore He Tūtohu, Me noho koe te mea tuatahi ki te tūtohu i tēnei pūkete!
|
Rārangi ihirangi:
- "Midnight virgin": melodramas of prostitution in literature and film
- Pedro Infante unveiled: masculinities in the Mexican "buddy movie"
- The last dance: (homo)sexuality and representation in Arturo Ripstein's El lugar sin límites and the fichera subgenre
- Mexico's third-wave new cinema and the cultural politics of film
- Epilogue. Mexican cinema is dead! Long live Mexican cinema!