Verdi and the French aesthetic verse, stanza, and melody in nineteenth-century opera /
I tiakina i:
| Kaituhi matua: | |
|---|---|
| Kaituhi rangatōpū: | |
| Hōputu: | Tāhiko īPukapuka |
| Reo: | Ingarihi |
| I whakaputaina: |
New York :
Cambridge University Press,
2008.
|
| Ngā marau: | |
| Urunga tuihono: | An electronic book accessible through the World Wide Web; click to view |
| Ngā Tūtohu: |
Tāpirihia he Tūtohu
Kāore He Tūtohu, Me noho koe te mea tuatahi ki te tūtohu i tēnei pūkete!
|
Rārangi ihirangi:
- Versification and melodic aesthetics. Rhythm and stanza in French and Italian librettos ; French and Italian melodic aesthetics and practice ca. 1830-1870 ; Episode: Design, middleground rhythm, and phrase
- French melody in Verdi's operas. Jérusalem and its influence on the subsequent Italian operas ; Les Vêpres siciliennes and its influence on the subsequent Italian operas ; Don Carlos and after.