Cinema's conversion to sound technology and film style in France and the U.S. /
I tiakina i:
| Kaituhi matua: | |
|---|---|
| Kaituhi rangatōpū: | |
| Hōputu: | Tāhiko īPukapuka |
| Reo: | Ingarihi |
| I whakaputaina: |
Bloomington :
Indiana University Press,
c2005.
|
| Ngā marau: | |
| Urunga tuihono: | An electronic book accessible through the World Wide Web; click to view |
| Ngā Tūtohu: |
Tāpirihia he Tūtohu
Kāore He Tūtohu, Me noho koe te mea tuatahi ki te tūtohu i tēnei pūkete!
|
Rārangi ihirangi:
- Sound's impact on film style : the case for homogenization
- Film history after recorded sound : from crisis to continuity
- The talkies in France : imported films as exemplars
- Sound-era film editing : international norms, local commitments
- Shooting and recording in Paris and Hollywood
- Hollywood indigenized : pathé-natan and national popular cinema
- Conclusion: sound and national film style--past and present.