Electronic and computer music
I tiakina i:
| Kaituhi matua: | |
|---|---|
| Kaituhi rangatōpū: | |
| Hōputu: | Tāhiko īPukapuka |
| Reo: | Ingarihi |
| I whakaputaina: |
Oxford ; New York :
Oxford University Press,
2004.
|
| Putanga: | Rev. and expanded ed. |
| Ngā marau: | |
| Urunga tuihono: | An electronic book accessible through the World Wide Web; click to view |
| Ngā Tūtohu: |
Tāpirihia he Tūtohu
Kāore He Tūtohu, Me noho koe te mea tuatahi ki te tūtohu i tēnei pūkete!
|
Rārangi ihirangi:
- The background, to 1945
- Developments from 1945 to 1960
- Paris and musique concrète
- Cologne and electronische musik
- Milan and elsewhere in Europe
- America
- New horizons in electronic design
- The voltage-controlled synthesizer
- The electronic repertory from 1960
- Works for tape
- Live electronic music
- Rock and pop electronic music
- The digital revolution to 1980
- The foundations of computer music
- From computer technology to musical creativity
- The microprocessor revolution
- The characteristics of digital audio
- MIDI
- The development of the MIDI communications protocol
- From analog to digital: the evolution of MIDI hardware
- From microcomputer to music computer: the MIDI dimension
- New horizons for MIDI-based technologies
- Desktop synthesis and signal processing
- Personal computers and sound processing
- Music workstations and related computing architectures
- The expanding perspective
- Performance controllers
- New horizons in synthesis and signal processing software.