The three-piece suit and modern masculinity England, 1550-1850 /
I tiakina i:
| Kaituhi matua: | |
|---|---|
| Kaituhi rangatōpū: | |
| Hōputu: | Tāhiko īPukapuka |
| Reo: | Ingarihi |
| I whakaputaina: |
Berkeley :
University of California Press,
c2002.
|
| Rangatū: | Studies on the history of society and culture ;
47. |
| Ngā marau: | |
| Urunga tuihono: | An electronic book accessible through the World Wide Web; click to view |
| Ngā Tūtohu: |
Tāpirihia he Tūtohu
Kāore He Tūtohu, Me noho koe te mea tuatahi ki te tūtohu i tēnei pūkete!
|
Rārangi ihirangi:
- Conspicuous constructions
- The old sartorial regime, 1550-1688
- "Apparel oft proclaims the man"
- The crown proclaims the apparel
- Court capitalism
- Religious conformity to fashion
- The seventeenth-century fashion crisis
- "The mode is a tyrant"
- "A tailor made thee"
- "Popery and foppery"
- The moral economy of mercantilism
- The three-piece suit
- Masculinity in the "Age of Chivalry," 1688-1832
- "the manners of a republic"
- Gentlemanly capitalism
- Sublime masculinity
- The feminization of fashion
- The making of the self-made man, 1750-1850
- "Character is power"
- The language of capital
- "The great masculine renunciation."