Fáddáevttohusat
Čájehuvvojit 1 - 18 oktiibuot 18 bohtosis ohcui ', ohcanáigi: 0,02s Aiddostahte ozu
  1. 1
    Tonality as Drama Closure and Interruption in Four Twentieth-Century American Operas /

    Tonality as Drama Closure and Interruption in Four Twentieth-Century American Operas / Dahkki Latham, Edward David

    Almmustuhtton 2008
    Full text available:
    Elektrovnnalaš E-girji
    Lasit oiddohiidda
    Furkejuvvon:
  2. 2
    The Flowering Thorn International Ballad Studies /

    The Flowering Thorn International Ballad Studies /

    Almmustuhtton 2003
    Full text available:
    Elektrovnnalaš E-girji
    Lasit oiddohiidda
    Furkejuvvon:
  3. 3
    Contemporary Carioca Technologies of Mixing in a Brazilian Music Scene /

    Contemporary Carioca Technologies of Mixing in a Brazilian Music Scene / Dahkki Moehn, Frederick, 1964-

    Almmustuhtton 2012
    Full text available:
    Elektrovnnalaš E-girji
    Lasit oiddohiidda
    Furkejuvvon:
  4. 4
    Beyond Lift Every Voice and Sing The Culture of Uplift, Identity, and Politics in Black Musical Theatre /

    Beyond Lift Every Voice and Sing The Culture of Uplift, Identity, and Politics in Black Musical Theatre / Dahkki Seniors, Paula Marie

    Almmustuhtton 2009
    Full text available:
    Elektrovnnalaš E-girji
    Lasit oiddohiidda
    Furkejuvvon:
  5. 5
    Why the Amish Sing Songs of Solidarity and Identity /

    Why the Amish Sing Songs of Solidarity and Identity / Dahkki Elder, D. Rose, 1952-

    Almmustuhtton 2014
    Full text available:
    Elektrovnnalaš E-girji
    Lasit oiddohiidda
    Furkejuvvon:
  6. 6
    China and the West Music, Representation, and Reception /

    China and the West Music, Representation, and Reception /

    Almmustuhtton 2017
    Full text available:
    Elektrovnnalaš E-girji
    Lasit oiddohiidda
    Furkejuvvon:
  7. 7
    The Jazz Republic Music, Race, and American Culture in Weimar Germany /

    The Jazz Republic Music, Race, and American Culture in Weimar Germany / Dahkki Wipplinger, Jonathan O.

    Almmustuhtton 2017
    Full text available:
    Elektrovnnalaš E-girji
    Lasit oiddohiidda
    Furkejuvvon:
  8. 8
    Just Vibrations The Purpose of Sounding Good /

    Just Vibrations The Purpose of Sounding Good / Dahkki Cheng, William, 1985-

    Almmustuhtton 2016
    Full text available:
    Elektrovnnalaš E-girji
    Lasit oiddohiidda
    Furkejuvvon:
  9. 9
    Stage to Studio Musicians and the Sound Revolution, 1890-1950 /

    Stage to Studio Musicians and the Sound Revolution, 1890-1950 / Dahkki Kraft, James P.

    Almmustuhtton 1996
    Full text available:
    Elektrovnnalaš E-girji
    Lasit oiddohiidda
    Furkejuvvon:
  10. 10
    The Flowering Thorn International Ballad Studies /

    The Flowering Thorn International Ballad Studies /

    Almmustuhtton 2003
    Full text available:
    Elektrovnnalaš E-girji
    Lasit oiddohiidda
    Furkejuvvon:
  11. 11
    Contemporary Carioca Technologies of Mixing in a Brazilian Music Scene /

    Contemporary Carioca Technologies of Mixing in a Brazilian Music Scene / Dahkki Moehn, Frederick, 1964-

    Almmustuhtton 2012
    Full text available:
    Elektrovnnalaš E-girji
    Lasit oiddohiidda
    Furkejuvvon:
  12. 12
    Beyond Lift Every Voice and Sing The Culture of Uplift, Identity, and Politics in Black Musical Theatre /

    Beyond Lift Every Voice and Sing The Culture of Uplift, Identity, and Politics in Black Musical Theatre / Dahkki Seniors, Paula Marie

    Almmustuhtton 2009
    Full text available:
    Elektrovnnalaš E-girji
    Lasit oiddohiidda
    Furkejuvvon:
  13. 13
    Why the Amish Sing Songs of Solidarity and Identity /

    Why the Amish Sing Songs of Solidarity and Identity / Dahkki Elder, D. Rose, 1952-

    Almmustuhtton 2014
    Full text available:
    Elektrovnnalaš E-girji
    Lasit oiddohiidda
    Furkejuvvon:
  14. 14
    Just Vibrations The Purpose of Sounding Good /

    Just Vibrations The Purpose of Sounding Good / Dahkki Cheng, William, 1985-

    Almmustuhtton 2016
    Full text available:
    Elektrovnnalaš E-girji
    Lasit oiddohiidda
    Furkejuvvon:
  15. 15
    China and the West Music, Representation, and Reception /

    China and the West Music, Representation, and Reception /

    Almmustuhtton 2017
    Full text available:
    Elektrovnnalaš E-girji
    Lasit oiddohiidda
    Furkejuvvon:
  16. 16
    The Jazz Republic Music, Race, and American Culture in Weimar Germany /

    The Jazz Republic Music, Race, and American Culture in Weimar Germany / Dahkki Wipplinger, Jonathan O.

    Almmustuhtton 2017
    Full text available:
    Elektrovnnalaš E-girji
    Lasit oiddohiidda
    Furkejuvvon:
  17. 17
    Tonality as Drama Closure and Interruption in Four Twentieth-Century American Operas /

    Tonality as Drama Closure and Interruption in Four Twentieth-Century American Operas / Dahkki Latham, Edward David

    Almmustuhtton 2008
    Full text available:
    Elektrovnnalaš E-girji
    Lasit oiddohiidda
    Furkejuvvon:
  18. 18
    Stage to Studio Musicians and the Sound Revolution, 1890-1950 /

    Stage to Studio Musicians and the Sound Revolution, 1890-1950 / Dahkki Kraft, James P.

    Almmustuhtton 1996
    Full text available:
    Elektrovnnalaš E-girji
    Lasit oiddohiidda
    Furkejuvvon:

Ohcanreaiddut: