Bulldaggers, Pansies, and Chocolate Babies : Performance, Race, and Sexuality in the Harlem Renaissance /

The gay and lesbian presence in black entertainment in Harlem nightclubs, speakeasies, rent parties, and Broadway stages.

Պահպանված է:

Մատենագիտական մանրամասներ
Հիմնական հեղինակ:	Wilson, James F. (Հեղինակ)
Ձևաչափ:	Էլեկտրոնային էլ․ գիրք
Լեզու:	English
Հրապարակվել է:	Ann Arbor : The University of Michigan Press, [2010]
Շարք:	Book collections on Project MUSE.
Խորագրեր:	Drama > amerikanisches > Afroamerikanische Autoren > Geschichte 20. Jh. Theater > afroamerikanisches > Geschichte 20. Jh. Harlem Renaissance. Theater. Sex in the theater. Race in literature. Intellectual life. American drama > African American authors. American drama. African Americans > Intellectual life. African Americans in the performing arts. African Americans in literature. DRAMA > American. SOCIAL SCIENCE > Gay Studies. Sexualite au theâtre. Race dans la litterature. Noirs americains dans la litterature. Noirs americains > New York (État) > New York > Vie intellectuelle. Noirs americains dans les arts du spectacle > New York (État) > New York > Histoire > 20e siecle. Theâtre americain > 20e siecle > Histoire et critique. Theâtre americain > Auteurs noirs americains > Histoire et critique. Harlem (New York, N.Y.) > Intellectual life > 20th century. African Americans > New York (State) > New York > Intellectual life. Theater > New York (State) > New York > History > 20th century. African Americans in the performing arts > New York (State) > New York > History > 20th century. American drama > 20th century > History and criticism. American drama > African American authors > History and criticism. New York (State) > New York > Harlem. New York (State) > New York. History. Criticism, interpretation, etc. Electronic books.
Առցանց հասանելիություն:	Full text available:
Ցուցիչներ:	Ավելացրեք ցուցիչ Չկան պիտակներ, Եղեք առաջինը, ով նշում է այս գրառումը!

Բովանդակություն:

Introduction: "It's getting dark on old Broadway"
"Gimme a pigfoot and a bottle of beer": parties, performances, and privacy in the "other" Harlem Renaissance(s)
"Harlem on my mind": New York's black belt on the Great White Way
"That's the kind of gal I am": drag balls, "sexual perversion," and David Belasco's Lulu Belle
"Hottentot potentates": the potent and hot performances of Florence Mills and Ethel Waters
"In my well of loneliness": Gladys Bentley's Bulldykin' blues
Conclusion: "you've seen Harlem at its best".

Bulldaggers, Pansies, and Chocolate Babies : Performance, Race, and Sexuality in the Harlem Renaissance /

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