Music and the language of love seventeenth-century French airs /

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Bibliographic Details
Main Author: Gordon-Seifert, Catherine Elizabeth
Corporate Author: ebrary, Inc
Format: Electronic eBook
Language:English
Published: Bloomington : Indiana University Press, c2011.
Series:Music and the early modern imagination.
Musical meaning and interpretation.
Subjects:
Online Access:An electronic book accessible through the World Wide Web; click to view
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020 |z 9780253354617 (cloth : alk. paper) 
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020 |z 9780253001962 (e-book) 
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100 1 |a Gordon-Seifert, Catherine Elizabeth. 
245 1 0 |a Music and the language of love  |h [electronic resource] :  |b seventeenth-century French airs /  |c Catherine Gordon-Seifert. 
260 |a Bloomington :  |b Indiana University Press,  |c c2011. 
300 |a ix, 390 p. :  |b ill. 
490 1 |a Music and the early modern imagination 
490 1 |a Musical meaning and interpretation 
504 |a Includes bibliographical references and index. 
505 0 |a Music and texts: an overview of the sources: A general description of the air ; The publications ; The composers ; Publications by Lambert, Bacilly, La Barre, and Le Camus: a description ; The song texts ; Poetic structure ; Style or elocution: figurative language and poetic syntax ; Poetry and rhetoric -- Rhetoric and meaning in the seventeenth-century French air: Seventeenth-century French sources on rhetoric and music ; Persuading the passions -- Musical representations of the primary passions: The primary passions ; The agitated passions ; The modest passions ; The neutral passion: Le contentement ; Summary -- Setting the texts: Painful love ; Bittersweet love ; Enticing love ; Joyous love ; Summary -- Form and style: the organization and function of expressions, syntax, and rhetorical figures: Form (disposition) ; The organization of expressions in short airs ; The organization of expressions in long airs ; Form in single-strophe airs ; The rhetorical sections of a piece: their function and expression ; Style (elocution): poetic structure, punctuation, and rhetorical figures -- L'art du chant: performing French airs: À haute voix: the importance of orality ; The art of proper singing: tone and style ; Ornamentation ; The pronunciation of seventeenth-century French ; Syllabic quantity ; Tempo ; Le mouvement ; Repeats ; Basso continuo accompaniment -- Salon culture and the mid-seventeenth-century French air: The French air and conversation ; Musical seductions ; Galanterie and the air: undercurrents of eroticism and lessons of morality ; Women singing airs as men -- The late-seventeenth-century air and the rhetoric of distraction ; The air after 1670 ; Songs and the rhetoric of distraction ; Pleasure, airs, and the new rhetoric ; The legacy of Lambert, Bacilly, Le Camus, and La Barre. 
533 |a Electronic reproduction.  |b Palo Alto, Calif. :  |c ebrary,  |d 2013.  |n Available via World Wide Web.  |n Access may be limited to ebrary affiliated libraries. 
650 0 |a Music  |z France  |y 17th century  |x History and criticism. 
650 0 |a Love songs  |z France  |y 17th century  |x History and criticism. 
650 0 |a Love in music. 
655 7 |a Electronic books.  |2 local 
710 2 |a ebrary, Inc. 
830 0 |a Music and the early modern imagination. 
830 0 |a Musical meaning and interpretation. 
856 4 0 |u http://site.ebrary.com/lib/daystar/Doc?id=10481734  |z An electronic book accessible through the World Wide Web; click to view 
908 |a 170314 
942 0 0 |c EB 
999 |c 125891  |d 125891